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In the project 60 wrd/min art critic, writer Lori Waxman explores how art writing can serve an expanded field of artists—including those incarcerated, trying to gain visas, working to establish themselves professionally, or just wanting feedback for a secret hobby. For this iteration, Waxman reviews a recent exhibition on view at M House in Chicago.
“Humidity Studies”
A place can be how it feels on your skin and in your lungs and up your nose, and Taiwan does not feel anything like Chicago. Recently, in the apartment-style event space upstairs of M House, a liquor store in Bridgeport, Taiwanese curator Tzu Ying (Cara) Cheng organized an 11-artist exhibition on this theme, isolating humidity as a key aspect of that difference. “Humidity Studies” included Sage Lin’s aggressively twee ceramics, Elisa Ho’s embroidered consideration of the sky as trapped by windows, Jay Wei’s terrifyingly implicatory video game of algorithmic violence, and Winnie Weiyun Szu’s breathy, weathered paintings. Being far away can be instructive: Sometimes you have to leave home in order to contemplate it anew.
—Lori Waxman 5/8/26 3:24 PM
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