The Metropolitan Museum of Art announced today that it will reopen the Michael C. Rockefeller Wing on May 31, 2025, following the completion of a major renovation. The wing includes the collections of the Arts of Africa, the Ancient Americas, and Oceania, and, when complete, will feature over 1,800 works spanning five continents and hundreds of cultures. These three major world traditions will stand as independent entities in a wing that is in dialogue with neighboring gallery spaces. The galleries have been closed to the public and under renovation since 2021.
Designed by WHY Architecture in collaboration with Beyer, Blinder, Belle Architects LLP, and with The Met’s Design Department, the reimagined galleries have been designed to transform the visitor experience and incorporate innovative technologies that will allow The Met to display objects in new ways. In galleries dedicated to each of the distinct collection areas, design elements reference and pay homage to the architectural vernaculars of each region.
The reinstallation of all three collection areas—Arts of Africa, the Ancient Americas, and Oceania—will also reflect new scholarship, undertaken in collaboration with international experts and researchers. Digital features and new wall text will allow for deeper contextualization of objects. Highlights of the collections that are well known to long-time visitors to The Met will be showcased in innovative ways with a completely new gallery design, which will also incorporate filtered daylight through a custom-designed, state-of-the-art sloped glass wall on the south facade, adjacent to Central Park. Additionally, across each collection there will be objects on view for the first time, including major new acquisitions of historic and contemporary art in the Arts of Africa galleries; a gallery dedicated to light-sensitive ancient Andean textiles, which will be the first of its kind in the United States; and several new commissions for the Oceania galleries by Indigenous artists and a range of new digital features that will present contemporary perspectives.
“The complete renovation of the Michael C. Rockefeller Wing reflects The Met’s profound commitment to—and deep expertise—in caring for and expanding understandings of the works in the Museum’s collection. Together with our collaborative and community-based approach to curating these collections, the transformation of these galleries allows us to further advance the appreciation and contextualization of many of the world’s most significant cultures,” said Max Hollein, The Met’s Marina Kellen French Director and Chief Executive Officer. “When the wing first opened in 1982, it brought a much broader perspective on global art history to The Met, and this thoughtful and innovative reimagining reflects our ambition to continually expand and even complexifying narratives. We’re deeply grateful to the many artists, scholars, community leaders and cultural figures who are partnering with us on this essential and ongoing work, and we look forward to unveiling these stunning galleries to visitors across New York City and the world this spring.”
Kulapat Yantrasast, Founder and Creative Director of WHY Architecture, commented: “The Michael C. Rockefeller Wing affirms WHY’s belief that museums are true sites of empathy. Spaces where visitors from many different places can encounter and appreciate the artworks from other cultures around the world. Through our design with The Met, we hope to highlight the diversity and distinction within these rich collections while providing a welcoming and memorable sense of place. Natural light and visual connections to Central Park are essential to the reimagined wing, and moments of discovery are so crucial when we design art spaces. We hope that visitors remember what they experience and where that happens.”
Alisa LaGamma, Ceil and Michael E. Pulitzer Curator of African Art and Curator in Charge of The Michael C. Rockefeller Wing, said: “The primary goal of this considerable institutional project is to deepen appreciation for the greatness of the art displayed within. While the creation of the wing asserted the place of the arts of sub-Saharan Africa, the Ancient Americas, and Oceania in the world’s leading museum, the edition you will soon experience underscores their autonomy from one another and foregrounds the artists responsible for those achievements. The new galleries devoted to three major collections presented in the Michael C. Rockefeller Wing allow us to reintroduce them with to the public enriched with a wealth of contextual detail. Those layers of information range from artist bios to interviews with experts in the region that relate the works presented to specific historical sites in the form of audioguide commentary and documentary films produced as an integral part of the experience.”
Jhaelen Hernandez-Eli, Vice President of Capital Projects at The Met, commented: “Our buildings are works of art themselves, mediating the relationship between the environment, our collections, and the communities we host. The redesign of the wing addresses the most critical issues of our time, from carbon footprint reduction to the emphasis on local materials and artisanship. The project manifests the collective work and shared values of our architects and engineers—WHY Architecture, Beyer, Blinder, Belle Architects LLP, Kohler Ronan, Thornton Tomasetti and Arup—as well as our local trades shepherded by AECOM Tishman. Together, we prioritized job creation and workforce training, reuse of materials, and the reduction of energy consumption while ensuring that the resulting architecture supports our collection and inspires our public.”
