Rita Duffy was born in Belfast and graduated with an honorary BA and MA in Fine Art from the University of Ulster in 1985. One of Ireland’s groundbreaking visual artists, she has produced acclaimed public art projects, including her early project Thaw, inspired by the Belfast ship Titanic. This post-conflict project explored Belfast’s relationship with the iceberg and aimed to connect local experiences of colonialism and sectarianism with a universal climate crisis. In 2011, she was awarded a Leverhulme Fellowship to work at the Transitional Justice Institute, University of Ulster. She was recognised for her contribution to visual arts in Ireland in 2018 and elected to Aosdana, Ireland’s elected “people of the arts.” She was made an Honorary Member of the Royal Society of Architects and was an associate at Goldsmiths, University of London, where she looked at the role of art in post-conflict societies. In 2024, she was appointed the Charlotte Maxeke-Mary Robinson Irish South Africa Research Chair at the University of the Western Cape in South Africa.
Her recent projects include The Shirt Factory Project, The Souvenir Shop, Soften the Border, and The Raft. She has held residencies at the Long Room Hub at Trinity College in Dublin and the Irish Museum of Modern Art. Duffy’s work is held in museum and private collections worldwide and her public art projects continue to grow in scale and ambition, exploring issues of female identity, history and politics, and borders.
Produced by Boston College Lowell Humanities Series, cosponsored by Irish Studies at Boston College and the Art, Art History, and Film Department.
