King Charles portrait artist’s life & work including making collage of George Bush out of porn mags


The first official portrait of King Charles III since his Coronation was unveiled at Buckingham Palace on Tuesday, May 14. The picture was completed by the British artist Jonathan Yeo and depicts the monarch wearing the uniform of the Welsh Guards, of which he was a Regimental Colonel in 1975.

A butterfly, depicted just above his shoulder, adds a symbolic touch to the composition and was reportedly a suggestion by the King. The uniform of the Welsh Guards inspired the colour red, which was painted over much of the portrait, as Yeo said he felt like this portrait should have more of a “dynamic and contemporary feel”.




Unveilings are always a little nerve-wracking, both for the sitter and the artist, but especially so when the subject is the King. Yeo joked: “If this was seen as treasonous, I could literally pay for it with my head, which would be an appropriate way for a portrait painter to die – to have their head removed!”

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Jonathon Yeo’s portrait of the King has been unveiled (Image: The uniform of the Welsh Guards, of which Charles was made Regimental Colonel in 1975, inspired the red colour that is painted over much of the portrait (Jonathan Yeo/PA))

During a conversation with the King, Yeo said they discussed how it would be “nice to have a narrative element which referenced his passion for nature and environment” and he spoke of how Charles “changed jobs halfway through the process” and the butterfly is a “symbol of metamorphosis” so it “tells multiple stories.”

After Yeo’s speech, the King joked: “It’s nice to know I was a chrysalis when you first met me,” which was met with laughter. Queen Camilla said she “hopes it is going to be seen by lots of people” after the unveiling.

After the unveiling, Yeo said he often says the secret to a good portrait is “having an interesting subject to start with, and you couldn’t ask for a better one than this”, before quickly adding “other than Your Majesty” referring to Camilla who he has previously painted.

Yeo said The Drapers’ Company had asked for the portrait to be a specific scale, and there was a preference for Charles being in uniform, but no other directions from them or the King, which Yeo added was “exciting and also a little bit daunting”.



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