Commenting on the nominees, the BBC 6 Music team stated:
“The sounds that defined our year. The voices that shaped our playlists. The artists that moved us.”
So, let’s delve into the winners and find out why they have been chosen for Artist of the Year.
Blood Orange
Beginning with Blood Orange, real name Dev Hynes, the release of his majestically soulful Essex Honey in August has caused a radiant buzz. Including recent collaborations with the likes of Lorde and Daniel Caesar, his extensive thesaurus of sonically warming creations has pushed Dev into spaces that inherit reflection and truth.
CMAT
EURO-COUNTRY. That is all we have to say. An intrinsically real and kaleidoscopic view into her chaotic life, it is full of heart, grit and passion. CMAT was rightly recognised as a Mercury Prize nominee this year as EURO-COUNTRY peaked at Number 2 on the Official Albums Chart.
Deftones
Making noise through the decades, Deftones have built a legacy that cements them as musical giants.
With the release of private music in August, which also secured the band their highest charting album ever in the UK at Number 2, it was one of their greatest career highlights. Full of memorable earworms and new classics, the nu-metal legends are showing the young bucks that experience matters.
Ethel Cain
Nostalgic and moving with a lingering air of the spiritual, Ethel Cain awoke with Willoughby Tucker, I’ll Always Love You this year. Showcasing her genre-hopping mobilities, these record earned Cain back-to-back Top 20 endeavours with her 2022 album Preacher’s Daughter also charting this year.
FKA Twigs
The ethereal visionary that is FKA Twigs planted her ultramodern seed in January this year with another Mercury Prize shortlisted project, EUSEXUA. Full of futuristic nuances, it reflected her visual identity as an artist and delivered an otherworldly experience.
Geese
Brooklyn based band Geese have not only exploded into the blinding lights of mainstream excellence, but they have also formed a cultural shadow which has engulfed the nation.
Fronted by the magnificent Cameron Winter, Getting Killed released in September solidified them as an experimental superpower that pricked all our ears. It charted at Number 26, the groups maiden UK inclusion.
Jacob Alon
Full of folky arrangements with a beautiful energy to match, Scottish singer-songwriter Jacob Alon found comfort in hurt on his debut release In Limerence. The Mercury nominated album is plastered with poetic trills which creates a significantly emotional atmosphere, confirmed by his live rendition of Fairy in a Bottle at the Mercury Awards ceremony which even got Lewis Capaldi saying “Wow”.
Jasmine.4.T
Full of pop energy with storytelling at the forefront of their expression, Jasmine.4.T has been one of the surprise but deserving breakouts of the year. Her debut full-length release You Are The Morning contains absolute anthems including Skin on Skin and the aptly titled Guy Fawkes Tesco Disassociation which propelled Jasmine.4.T to atmospheric heights.
Kae Tempest
Kae Tempest has transformed his spoken capabilities into pieces of musical uprising. Releasing Self Titled in July, Kae encapsulates experiences that have formed the person he is today with the album feeling like a proclamation of freedom and strength. The record also broke the Top 40, peaking at Number 25.
Maruja
Rigid with persistent attitude, Manchester band Maruja have hijacked 2025 and stamped the year with their identity. The debut LP Pain to Power is a dark bullet that packs a powerful punch of erratic punk fused with scatty jazz melodies, they are one of the most eye-opening and important prospects on this list.
Pulp
There is little else more we can say about Pulp‘s impact. Constantly breaking boundaries as each year ticks on, 2025 saw them gain their third Number 1 album with More, solidifying their status as the guru’s of narrative excellence.
Turnstile
Finally, a band that embrace all and every facet in their journey, Turnstile have turned a corner this year. NEVER ENOUGH, the bands fourth studio album that came out in June was something wholly different that expanded their character and reputation. Hardcore punk beats thrown over reflective passages, the use of contrast was instantly highlighted and universally recognised. As such, the group secured their highest charting album in the UK with NEVER ENOUGH peaking at Number 11.
Congratulations to all of the artists who have been included!
