‘The greatest collection of Surrealism to emerge in recent history’: The contents of iconic art collector Pauline Karpidas’s London home are heading to auction


Salvador Dalí, Pablo Picasso and Andy Warhol — the best and most brilliant artists adorned the walls of Pauline Karpidas’s Hyde Park apartment in London and, this September, Sotheby’s will be selling the paintings and its contents. With some 250 lots, the auction house is calling it ‘the greatest collection of Surrealism to emerge in recent history’. The sale is expected to fetch in excess of £60 million — the highest estimate ever placed on a single collection in the European branch of the auction house.

Highlights include the ethereal beauty of René Magritte’s ‘La Statue volante’ (estimated to be the bestseller of the collection, and to sell for between £9 million and £12 million); Andy Warhol’s pop-art reimagining of ‘The Scream (After Munch)’ (estimated to sell from between £2 million and £3 million) and Salvador Dalí’s portrait of his wife and lifelong muse, Gala.

Now 81, Pauline has been acquiring works and nurturing contemporary talent for the past 50 years. She is a patron of Damien Hirst, Sarah Lucas and Tracey Emin and has been the benefactor of the Tate in London for many years.

The painting 'La Statue volante' by René Magritte

René Magritte’s ‘La Statue volante’ is expected to sell for between £9 million and £12 million.

(Image credit: Sotheby’s)

An animal print rug, dark brown bookshelf with swirls on and sculptures and books adoring the bookshelf.

The bookshelf in Pauline’s drawing room was created by Mattia Bonetti.

(Image credit: Sotheby’s)

Out of this frankly delicious and often bizarre collection, plenty catches the eye. I admire Francis Picabia’s ‘Deux amies’ — a tangled embrace of flesh and fabric set on a deep-red sofa — and Jeff Koons’s ‘Poodle’, which is a statue of exactly what you’d imagine it would be (and a rather distinguished fellow he is too). The hauntingly isolated quartet of body parts set on a grey background of Magritte’s painting ‘La Race blanche’ also impresses (it would go well above my coffee machine), and it’s hard to imagine a world where I’d say no to being the proud owner of Claude Lalanne’s ‘Choupatte’ — who wouldn’t want a sculpture of a chicken with the head of a lettuce?

Dorothe Tanning’s piece ‘Katchina and Her Soul’ (Katchina, I assume, is the adorably hesitant looking lhasa apso terrier in the bottom left of the painting) is the one I covet the most, however, with François-Xavier Lalanne’s monkey table, which has a glass top, coming in at a close second.

A black and white photo of Pauline Karpidas with a short bob haircut, drinking champagne wearing a black high neck top and elaborate earrings

Pauline rarely talks to the media, despite her titanic status in the art world.

(Image credit: Sotheby’s)

Claude Lalanne’s ‘Choupatte’ — a sculpture of a lettuce with the legs of a chicken — on a table

Claude Lalanne’s ‘Choupatte’, which is expected to sell from between £300,000-400,000.

(Image credit: Sotheby’s)

Pauline’s apartment itself is the real marvel, though. Thomas Boyd-Bowman of Sotheby’s has said: ‘I will never forget the moment I first entered Pauline’s London home — the captivating works of art that filled the rooms in every direction.’ A cacophony of colours and a celebration of art and the joy of creativity, it isn’t just the art in her home that transfixes the viewer; her bespoke furniture include two multicoloured Rouleaux sofas, designed by Jacques Grange and set on an animal print carpet, and a low brown coffee table by Mattia Bonetti. Behind this scene hangs a collection of evocative works, all united in their dedication to storytelling, which frame an understated dark wood fireplace. On the other side of the same room stand sculptures of various likenesses on a bookshelf, also designed by Bonetti — and which is a work of art in itself. In another room, a desk designed by André Dubreuil is resplendent in hues of gold and orange, with a collection of treasures displayed proudly on its surface. The pieces were arranged by the Grange and David Gill, the gallerist.



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